Theme
secretcinema1:

The Brothers Grimm, c1900, Albert Weisgerber 

secretcinema1:

The Brothers Grimm, c1900, Albert Weisgerber 

(via jbe200)

susanzweig:

joan brown

susanzweig:

joan brown

(via jbe200)

valscrapbook:

untitled by dhearts on Flickr.
nearlya:

Anselm Kiefer. Leander, 1969, Paint and charcoal on black and white photograph

nearlya:

Anselm KieferLeander, 1969, Paint and charcoal on black and white photograph

(via jbe200)

blackpicture:

Herbert List, Caracas (1957)

blackpicture:

Herbert List, Caracas (1957)

(via alwaysunderconstruction)

nabiloou:

 Victoria Kalaichi
(via Select Sold Works: Victoria Kalaichi)
ymutate:

Julio Gonzalez, Head, 1936. Hirshhorn Museum, found at midcenturia.com

ymutate:

Julio Gonzalez, Head, 1936. Hirshhorn Museum, found at midcenturia.com

(via jbe200)

paintasyoulike:

"I do have highs and lows, though. This painting probably is one of my personal lows. As you can see from the progress sequence, it went on for a very long time. It had stages when I should have left it alone, but I kept on pushing for something else that I wanted and it would not come. Eventually the painting “crushed and burned.” It does not exist anymore. I remember that day — definitely a low.” Alex Kanevsky

paintasyoulike:

"I do have highs and lows, though. This painting probably is one of my personal lows. As you can see from the progress sequence, it went on for a very long time. It had stages when I should have left it alone, but I kept on pushing for something else that I wanted and it would not come. Eventually the painting “crushed and burned.” It does not exist anymore. I remember that day — definitely a low.” Alex Kanevsky

(Source: The Huffington Post)

paintasyoulike:

Nikolay FechinPortrait of girl

paintasyoulike:

Nikolay Fechin
Portrait of girl

aceofnitwits:

Emil Robinson - Catherine in Green, 2012

aceofnitwits:

Emil Robinson - Catherine in Green, 2012

(via paintasyoulike)

ryanpanos:

House within a House | Hiromi Fujii | Socks Studio

In his built project for the Todoroki residence (1976), the radical use of the grid produces an evolution of the traditional Japanese interior planning, where spaces were combined in layers. Every element which composes a conventional house is reinvented and relocated. The façades are just the exterior container of the multiple sequences of spaces nesting one within another. The openings are multilayered: they don’t just connect the interiors with the exteriors, but penetrate right into the core of the building. Their location and dimension, as well as for every interior wall, always refer to the three-dimensional main grid and its sub-divisions.

(via alwaysunderconstruction)